Saturday, March 27, 2010

Muse Community

Hand in hand, around the fire we stand
together as one
From all over the world,
young, and old alike
Ticos, Israeli's, N Americans, Europeans, Irish...
The colors of the world merging under the soft fading of day
Into one rainbow of love and light
United by a desire to share, to play, to sing, to celebrate life

In harmony with nature
The circle opens with deep breaths giving way to the sounds of the ocean
The turning of day into night
Magic emanating from the intention to touch it's sleeve
And the Muse is on...

Moving the bodies
Pulsing the rhythms of life
Shared magic is felt by all present

My gratitude for this path
Always bringing me back to sweet surrender
Soft return
Open hearts
Kind spirits
And uniting hearts..



Pavones, Costa Rica

Tuesday, March 9, 2010

Muse Power Feedback


"I have been reading your book each night, I am in awe, and you have created a new spark for me! It is funny how many of your philosophical insights into traditional rhythm and ceremony hold their place and are very important for cultural significance and the passing of history, lore, and tradition, etc., yet you also strongly emphasize the importance of creating music based on the unique energy of the group, the mesh of energy from a variety of individuals creating new music that is dynamic and based the combination of the individuals that are present. This is also what I believe. I know that often structure is important, but I have also heard and participated in some amazing circles that were grounded in no specific foundation; thus, Recreational Music Making, and allowing each individual to reveal their being, giving them the space to play, and honoring their effort, not judging their performance. The train must run away before it can find it's rhythm!"

Feedback from Mark Gibson, Western State College, Gunnison, CO

Natural Music Making

Here in Costa Rica, natural music is surrounding us all the time. The songs of the birds, and the cicadas, the constant pulse of the ocean roaring softly in it’s own groove, the wind rustling the palms.. The ever-changing orchestra of sounds and expressions emanating from the jungle and the sea are one of the true joys of living here for many people, both Tico’s and others. Nature is such a clear example of free expression and non-judgmental inclusion of all life, and for me provides a beautiful model for music making being able to encompass the infinite potentialities for expression thru the human being.

The “modern”/“developing” worlds typically define music as "an art form whose medium is sound. Common elements of music are pitch, rhythm, dynamics, and the sonic qualities of timbre and texture." In my experience, thinking of music solely in this way feels unnatural, exclusive and limiting. It validates only part of the whole.

The treatment of "music" and "dance" as separate art forms is pre-dominantly a European idea. Most tribal cultures are more like nature in their understanding of what music is: all inclusive of all expressions. For example, in many Bantu languages, there is one word for both music and dance; they are inseparable parts of the whole. In Kiswahili, the word "ngoma" may be translated as "drum", "dance", "dance event", "dance celebration" or "music", depending on the context. Kala is the art of music in the East and has three aspects, vocal, instrumental and the expression of movement. In seeing music as more inclusive of all parts of itself, it becomes a much more whole expression and creates more equality amongst all those who share in it by validating all parts of the same equally. Music then becomes the entire experience of how we are relating to each other and moves beyond just the technicality of the sounds. It becomes the spirit of the Muses: poetry, movement, sound, expression, environment, nature and divine inspiration combined. It becomes more like Nature: harmonizing, wild, and beautifully free.