Tuesday, May 5, 2009

Book Review on Muse Power


Check out this link: http://www.ivouch.com/cherishanti-com

Saturday, April 11, 2009

From Futureman & Ty Burhoe on Muse Power



Here's some feedback on Cheri's new book: Muse Power: How Recreational Music Making Heals us from Depression and the Symptoms of Modern Culture

"Cheri has created a rich and inisghtful book on the far reaching impact of music on today's society as well as it's importance to us as individuals. She has woven together, not only very provocative research and important facts about sound and psychology, but also her own moving experiences in one of the human race's most valuable resources: music."
Ty Burhoe, Professional Tabla Player, Student of Zacchir Hussein

"I have taught drums with Cheri on several occassions and this book is great as I feel that I can continue learning from Cheri. Cheri has such great energy and brings such a unique blend of feminine insight, power and passion to the art of drumming. Muse Power reminds us of the healing power of music as a way of building community and relationships. I love drumming, community and relationships and so does Cheri! Thanks Cheri, I love what you are doing! Bravo on creating this great educational journey."
Royel, "Futureman" Wooten of the Grammy Award Winning Band, The Flecktones

"Cheri definitly channels the powers of the muses when she performs as a singer, or leads the circles of ecstatic percussion. This book is yet another manifestation of her incredible and beautiful energy: a welcome contribution to the growing testimony to the healing magic of music."
Cameron Powers, "Musical Missions of Peace"

Buy your copy today at http://www.cherishanti.com/products and bring Cheri to your community to share the power of rhythm, music and community building!

The Power of the WItness in Music Making




Moving in perfect stillness as my feet are hitting the floor in perfect rhythm, I look out into the audience and my heart is spilled open once again by the presence of these dancing, free spirits moving to the groove of the band I'm playing with, Onda from Boulder. It's always intoxicating to me, always completely consumes me to stand witness to the experiences of others in their movement knowing that they too are seeing me and what we are exchanging is of such a unique and profound quality in today's world of computer screens and techno blah blah.

It is my inspiration. It is the food that feeds my ever growing heart of compassion and connection to others. It is the fabric of my existence somehow, this experience of the witness being witnessed, simutaneously holding others as I too am being seen in my truest essence. There is so much grace and power in what happens when we are grooving together, when eyes meet, and there is acknowledgement of one for the other. Be it in our pain, our glory, our passion, our sensuality, our frustration... somehow music makes us transparent, it brings us back fully into the shared experience of our humanness.

Drumming together, singing together, dancing together are all forms of music making. We are in the groove, our bodies and hearts and minds become synchronized on a whole different level when we are in that state. We can get past the mundane and for those moments we can see each other without judgement, without any dilution of the personality, without words. For me, this is total freedom, and I feel that those who know me best, know me thru the Muses. They've heard me play the passion of my soul, they've seen me cry in the middle of a song or fall on my knees on the ground and pray thru the grace of tears as the hardness of the world melts me, they've seen the truth of me which shines far brighter in the Muse. And, likewise, when I see someone in their groove, suddenly I get a true glimpse of the depth of their hearts, I feel and see their pain, their struggles, and their victories. It is as if the lens of music allows for a total removal of the filters our overactive minds try to work in too much of the time! We are free, we are whole, we are completely ourselves.

I am, as always, blessed to participate! What a joyous and amazing life journey it is to be a musical being who has chosen to participate.

Monday, April 6, 2009

Brazilian Music Study Trip: 2009


I am very excited to be sharing an wonderful opportunity to study drumming and music in Brazil this summer! If you are interested in this trip, please email me directly for more info: cheri_shanti@yahoo.com and I will get you in touch with the organizer to make arrangements! This is going to be a fabulous trip! I'm looking for 5-10 people to go with me the first two weeks of August, but you can go anytime this summer that works for you!

Read on and enjoy, and please pass it on! Thanks so much! Yahoo, Muse Tours is on it's way!


STUDY ABROAD iN BAHIA, BRAZIL - PROGRAM INFO

This is an independent program, run personally by Joao Junqueira, CU-Boulder Brazilian Ensemble Director and Musics of the World Instructor- Metro State Denver,
with a contracted local assistant. Because this trip is independent, a great feature of this program is its flexibility. It can serve diverse goals, and diverse budgets. It will be custom made to fit all participants needs and wants,as much as practically possible. Participants will participate in the trip design as well.

TRIP LEADER
Thetrip will be led by Joao Junqueira, a Brazilian native based in
Boulder, CO with strong ties to Salvador, Brazil. Joao was born
in Porto Alegre, and has lived 21 years in the US, with yearly
trips to Brazil. He is fluent in Portuguese and English, has worked as an
interpreter for several years, and has extensive experience in
intercultural communication and exchange. He is currently an
Ethnomusicology PhD Candidate at CU-Boulder, and is in the
process of doing fieldwork/dissertation on Brazilian folk music and
disadvantaged children's music education at a non-profit organization.

You can pick dates beginning on 7/1 and ending on 8/10. June dates can be
arranged on a personal basis.


ABOUT THE STUDY TRIP

Why a "study" trip?

Because you can actually study music, dance,capoeira, or any other subject you may be interested. Joao will set up lessons/classes with expert teachers located in Salvador, Bahia. You will have the opportunity to learn from local Bahian masters
and have a total immersion experience. Participants can propose a study plan, i.e., a number of lessons, and subjects. Because this program is independent,
participants are not "locked in" any class schedule, other than the one co-designed and contracted with Joao prior to the trip.

Study trip participants may spend at least ONE to FIVE weeks in Bahia hosted by Joao Junqueira and his assistant in a Salvador-based location.

Contact Cheri for more info and specifics if you are interested! Thanks

Thursday, April 2, 2009

Reconnecting to the Roots


Sweet soft sensuality breathes here in the deep south of Florida. The air is heavy but so refreshingly crisp with the promise of tranquility. Night jasmine blooming blasts my senses back into perfect harmonious bliss and I am nourished deep into the depths of my being.

Hours and hours floating upon the gentle undulating sea bring my body into rhythm again in a little yellow boat with fish splashing everywhere. When the air is thick and moist, my body moves slower, feels fuller and loves to appreciate it's self.

Florida is richer than ever it seems. I feel like I can see the efforts that have been made here to conserve, preserve and bring vitality back. There are dolphin swimming in the river again, fish jumping everywhere again, healthy and strong to feed the graceful giants. The water is blue green and magically inviting and I feel a sense of hope for my native home here, the world that birthed my appreciation for everything natural.

Reconnecting to my roots: remembering my love was born in this place of the ocean, rivers and wild howling winds. My soul is here, my heart is here, and my roots are here. This is the place that taught me the rhythms of life and the ocean sings forever in my soul because of this place.

Sweet moments of musings, songs sung on the dock to the moonlight and fireflies, a little girl's memories of the magic of seeing the dolphins swimming beneath the boat and feeling the ocean pulsing beneath her feet, falling asleep every night with the sound of the waves singing in her bones. How blessed I was to grow up in this place, so close to Yemaya, the sea. How blessed I am to return and feel so connected, so whole, so grateful and so serene in this place.

with only grace..

Thursday, March 26, 2009

Interview with Cheri Shanti on the Benefits of Musing and More


From March 2008 Interview with Jeremy Brieske

Click on the title of the post to hear the interview.

This is a little late in getting posted, but should provide good info for those of you wanting to know and understand more about the benefits of Music Making and the Muse works I offer for retreats and communities.

Gives a little insight on me too!

Wednesday, March 11, 2009

Dolphin Love

Had the most amazing opportunity while in Costa Rica, thanks to my good friend, Cameron Powers who made a connection happen, to play drums for dolphins! WOW.. so fun, so sweet and so beautiful to feel their hearts connecting to us. Thanks to Marta & Craig for making it possible for us to experience such joy and bliss on the sweet Pacific seas.

As a young girl growing up in Florida, I have had many dolphin experiences. My dad and I were always in the boat and there were always dolphins close by it seemed, a few times they even came down into the canal in our back yard which was super cool. I have memories of their love filling my heart that go back to those days, and the heart space they inspire has never changed or diminished. Last year I got to see them near Kauai and the Big Island, this year Costa Rica. It's fun to know they love to groove too!

Enjoy the video and pass it on!

Tuesday, February 17, 2009

Costa Rica Update


Such sweet times here in the warmth of the tropics. It's been an amazing time to dream the dream, live the dream and work with sweat dripping down my body constantly.

Costa Rica feels funny too, like a place that has pants it hasn't really been able to totally squeeze into!

Music is the place my heart always thinks it needs more of, even here with all the amazing sounds of nature and the wild things, my heart is craving the sweet soft places, the lover in the Muse! I've had a few good doses, luckily enough to keep me soft and yummy but always wanting more it seems of those really precious sacred moments in the Muse.

Forest Dance was here, old friends from many years past in the fire tribe community. Twas a treat indeed to hold space and play all night beneath a big phat tropical moon with monkeys howling and funky Whattar players busting early morning grooves by the fire that was a bit too large for the size of the circle! The beautiful Ceiba tree hovering ominously over our heads was a blessing to behold and the biggest relief on the land was the swimming hole just on top of Nauyaca Falls (the picture is Nauyaca).

I've been here, in Costa Rica, Dominical, for 6 weeks working with a very dear friend of mine on creating a Community Retreat project in Uvita, CR just outside Dominical. It's been an amazing time of writing the dream into being and feeling this super surreal knowingness that I am living in the dream I've been carrying for so many years. I feel so grateful for the opportunity to get to collaborate with a friend on something that we both have been dreaming for years! It's tremendously exciting, and I feel like kissing the ground almost every minute... wow..

The synchronicities have been wild and whacky of course too! Lots of re-connecting with old friends from all over my life, Florida, North Carolina, Fire Tribe all over this country and others have been showing up left and right. It seems there is some merging here of all the differeng amazing pieces of my life! That's telling me something, as a big part of my dream/vision has been that all my favorite people from my whole life would come to be together in one magical, natural place like heaven!

The book, "Muse Power: How community Music Heals us from the Symptoms of Modern Culture" is in it's final final stages, no really, I mean it! I'm having Sirian Philips redo the cover and once that's done, it's off to print, so it will be available from my website as well as Amazon.com and other sources before spring I think!

Always good for me to leave the country and reflect on how amazing a place we live in in the US. Even with it's crap and it's problems which are many.. we are so blessed to have the reality we do.. bless the mess and let's dance the dream alive every day!

Tuesday, November 11, 2008

PREFACE to Cheri's Book by Cameron Powers


Cheri Shanti’s musical path and mine have followed some very similar
trajectories. I was very honored when she requested that I write this
preface. My evolution as community musician has culminated in
the creation of a non-profit organization called Musical Missions
of Peace which raises funds to carry community music-making into
international arenas. My non-profit organization has recently helped
fund an American woman to travel through Iran, sowing the seeds of
connection and friendship by joining in village festivals across the
Persian countryside.

Musical Missions of Peace also currently supports music lessons for
Iraqi refugee children which in Syria and in Jordan. These schools
provide employment for displaced professional Iraqi musicians and
help ensure that the valuable content of ancient Iraqi musical tradition
is not lost during these times of upheaval.
My community music engagements have ranged from Native
American festivals in Peru and Mexico, to Greece and finally, during
recent years, to Egypt, Syria, Iraq, Jordan, Palestine and Lebanon.
My years of study of the ancient micro-tonal music scales and the
music of the Arab world have enabled me to feel a sense of belonging
in many far-flung community settings in the Middle East. Ah, if only
the politicians could experience some of these same things!
Early in life I spent years in counter-cultural communes across the
Western states in the USA and I led many live music events when it
was time to celebrate.

I have had the great pleasure to join with Cheri in some of her Colorado-
based community “Muse” and “Fire Ceremony” celebrations and have
been delighted to feel the powerful energy and clarity of vision which
she brings to each occasion.

Baghdad, Iraq: Unified by a favorite old Iraqi song we stand and
move our bodies together while the high-rise buildings burn and
the invading army tanks drive by. Musical reality is more cohesive
than military reality. This is what I have discovered. When will the
soldiers lay down their guns and pick up the flutes and the lutes and
the tambourines? The ancient wisdom tells us that this option does
exist! It works for us here on the streets of Baghdad: we are American citizens singing with Iraqis here in the ancient Iraqi capitol even as we
all mourn the destruction.

In this book, Cheri reveals her experiences drumming with women
in India and we discover that there are indeed other tools for cross-
cultural commuication which, unfortunately, are generally omitted
from US foreign policy around the globe. Connecting through the
universal language of music offers us familiar and respectful ways to
bridge worlds.

Sina, Peru: Tucked into a village in a valley high on the slopes of the
Andes above the Amazon jungle the Inca-speaking families are into
the third night of the celebration. Clapping their hands for rhythm in
their dance they sing of the loneliness of the vast mountain landscapes.
They sing of the pain of lost loves and of the hopes for new romance.
Eusevio Qispi has planted the cornerstone for his new house! Tears
come as he sings in anticipation of the arrival of his new bride! No one
mentions the one awkward detail: he has yet to succeed with romance
and the bride is entirely imaginary. But never mind! Four days and
nights of singing and clapping the village rhythms will surely help to
conjure her up!

Cheri’s elucidations of the roles music plays in tribal societies around
the world make it clear that brides can indeed miraculously appear
when the right music is played long and sincerely enough!

West Bank of the Nile, Egypt: The piercing wails of three ancient oboes
ride atop the skilled drum-strokes on the skin of the big bass drum.
Dressed in their white robes the village men whirl at opposite ends of
their ceremonial dancing sticks. The flavor of a martial art stylizes the
dance. There are no gaps in the music between midnight and dawn.
Once again all turmoils and struggles have been laid to rest for an
entire night. From time to time a woman dances solo in the center of
the courtyard beneath the appreciative gaze of the assembled men. All
is just as it should be. The atmosphere is absolutely Egyptian! Eight
thousand years of ancestral rhythmic tradition manifests once again
and carries our energy up into the sky!

In this book we discover that Cheri has been laying the same foundations
for rhythmic tradition right here in the USA! Her work offers a place
for us here in the US to find this kind of experience, a place to lay down the struggles and turmoils of the world and be together, in spite
of our differences, and celebrate life in community.

Naxos, Greece: Tonight the island drummers and musicians have
congregated in a small town near the northernmost Mediterranean
beach. While the lines of dancers revolve under the moon a wave of
energy carries the energy to new highs: the rhythm has suddenly shifted
from seven-beat phrases to eight-beat phrases! Without a single break
the band plays until past dawn. Dancing all night is something taken
for granted as a natural human right!

Cheri’s clear statements about the strangeness of some of the still
existing rules about MUSIC “disturbing the peace” here in our
homeland can help us bring about changes in values. There are few
cultures in the world where music making on a community level are
so restricted, repressed and devalued as it is in the US. The freedom
to gather and play music, anytime, anywhere is not something we are
familiar with in the US.

Sinaloa, Mexico: It’s now four o’clock in the morning in a small
mountain town. A group of fifteen guitar players serenade the
crowd from the front porches of randomly chosen homes along the
neighborhood streets. The highly amplified dance band in the central
plaza has finished for the night. Now there is acoustic space for random
improvisation! This village has truly come alive!
Here, as in most of the indigenously intact cultures in the more
tropical parts of the world, the music is “by, for and of” all the age
groups in the community: the children, the teenagers, the adults and
the grandparents.

In this book you will find beautiful descriptions
which hint at the beauty of this reality, although, as one of her quoted
contributors mentions, you really had to be there!

Deep in the Grand Canyon: The rhythm fever is upon us! Anything
will do: we extract whatever pots and pans and jars and cans we can
find from the cooking gear on our tethered rafts. Spoons make great
drum sticks! Which parts of our primal identities will emerge during
the next few hours of frenzied playing? High moonlit rocky crags stand
sentinel for the duration of the night. Musical moments are punctuated
with the sights and sounds of ecstatic human bodies diving into the
fast-moving river waters of the Colorado. Everyone swims back more. The next day there is a special satisfaction in the air.

In her chapter on the glamorization of popular music, Cheri gives
our young folks some encouragement for personal participation in
the communal creation of rhythm and music even as we observe the
trends toward electronica.

Amman, Jordan: Thirty Iraqi refugees gather in a friend’s apartment.
Dinner is shared but then the drums and instruments come out of their
cases. As the rhythms bubble out of their fingers onto their drums,
the refugees burning questions around basic survival gradually recede
from the forefront of consiousness. Someone has begun to sing. An
ancient stringed instrument, the Arabic lute, is in the hands of a skilled
player. Drums begin the accompaniment. A violin appears. Five hours
later the dancing and singing are still in full swing. Spoken words and
conversation will have to wait for another time. Now we are in a space
made sacred by the rhythms of the ancient muses of the Mesopotamian
Tigris and Euphrates river people!

What are the glues and fabrics of cultural identity which can hold
people together even in extreme times of disruption and catastrophe?
Cheri examines the trends in music teaching in American schools and
makes some clear-cut suggestions.

Boulder, Colorado: Seventy-five dancers reach the stage of screaming
and singing out their ecstasy. Four percussionists are here in the
ballroom well into the second hour of rhythmic ebb and flow. The
sound is live and no amplification is needed. The drummers and the
dancers adjust the tempo and no electronic tracks are included. A
wave of refreshment rolls through our consciousness as we celebrate
our freedom from the usual electronica. Cheri Shanti is one of the
drummers.

What do all these scenes have in common? Music is flowing. Love is
flowing. Bonding is happening. No one is divided. No one is separate
or left out! No one has reason for plotting or trickery. We are all
one. Even aging bodies feel pain-free and young again! The elixir of
communal music is being served by these drummers and musicians
who have evolved to become the local shamans and priestesses. The
ancestors are having their say and harmony has been achieved. What
a magnificent model for the rest of life!

Tuesday, November 4, 2008

Yes We Can... Barrak Obama New President

Tears of joy on the faces of so many people last night with the sweeping victory of Barrak Obama! I shared the tears of joy and hope watching the new first family on stage, and my heart was so touched to see skin of all colors embracing in front of the world. Seeing the call to union and peace prevailing over the color of the skin or differing backgrounds.. my heart filled with hope and even more, with faith.

We now have a leader who has some connection with the people, who can inspire the masses to action and who represents something so much greater than just the presidency. We now have a voice, and an ear in a place of power.

So now when I wonder, Can we really shift the tides and start moving towards something greater than greed and rape and pillage consciousness.. my heart says..

Yes we can...

Can we now begin to act with personal responsibility and accountability on an individual and global level..

Yes we can...

Can we offer opportunity to all..

Yes we can..

I know he may not be as wonderful as he seems (or maybe, just maybe he really is), and I'm sure he will make mistakes and have many challenges.. but in my heart of hearts, he represents something noble. He inspired the people to act, to vote, to stand up, and be counted, and he has activated this country like no other president before.. I have faith in him, and I even like the guy to be honest... and his wife.

I give thanks for the new beginning and that maybe we will be able to finally pass on a better world to our children than the one we have now because we finally chose to get up, stand up, be counted, and try something new and different..

Yes we can build a better world... and it starts with YOU and ME...

Barrak said it well, the victory is OURS as much or more than his... we made a ripple in the pond...

Keep it going.